When Clarissa and Tim Harris purchased a treetop hideaway in Warrandyte, Victoria, they couldn’t wait to fill the area with their assortment of vibrant curiosities and artwork. However they are saying the brand new chapter additionally known as for one thing extra intimate.
“Shifting into our new dwelling, we actually needed a private piece that represented the weather of our household and our model.”
The primary piece they held on the wall once they moved in earlier this yr was a surreal, Worry and Loathing-esque household portrait that they had commissioned from Byron Bay artist Mlak – actual title Karlee Mackie.
Tim, a visible artist, discovered Mackie’s work on Instagram just a few years in the past and says he knew fairly shortly her knack for “whimsical Australian gothic” suited them completely. “And we’d made a acutely aware determination through the pandemic to assist native artists,” he says.
Whereas the couple have by no means met Mackie in actual life, giving her the artistic freedom to interpret their vibe by means of their social media friendship was a part of the enjoyable.
“I like that we didn’t have to inform her something and she or he pieced all of it collectively from the bits and items she knew of us,” Clarissa says.

Their penchant for cacti and traditional vehicles would have been apparent from their socials. However different parts, just like the crocodile and the alien, felt uncannily on level.
“After we acquired it, it simply felt so acquainted right away,” Clarissa says. “Tim’s really acquired a tattoo of a crocodile, and it’s my favorite animal! And I like that she’s painted me as an alien! As a child I used to be obsessive about them.”
The massive portray (which is considerably greater than deliberate due to a contented mix-up about dimensions) is an irresistible backdrop for impromptu photoshoots at home events, shortly solidifying itself amongst associates as a (literal) hallmark of the younger household and their vibrant private style.

The mission has flourished right into a friendship and the households are trying ahead to assembly one another in Byron over summer time. “And if Karlee ever visits us, she’s eager so as to add to the work as our household grows,” Tim says. “It’ll be like a residing set up.”
Regardless of the work’s wacky aesthetic, Clarissa says being greeted with it every day as she goes down the steps is “grounding”.
“It jogs my memory – as tacky as it’d sound – that we’re a workforce, and we’re on this journey collectively.”
